In art, one at a time, experiences contribute their immediate, felt existence: one reads a house, a scene, a room, a space, a sequence, etc. In writing, for instance, the quality of the work and its effects on the feelings are welcomed at once. One does the documentary of what is happening -- the whole orchestration including the personal reaction -- while the activity is happening. The feel of our lives, instead of being disregarded or slighted, is accepted as important.
Writing the Australian Crawl, p. 49